Redbox Reviews

The verisimilar edge

Listening to a local film critic’s tired dismissal of the new film, Edge of Darkness, I was struck by the need, in film, literary, and art criticism just as much as in theological or architectural or epicurean criticism, for a foundational sense of what makes┬ásomething good. All else flows from that. For some critics, this …

Book it

I’m pretty sure that somewhere in the unofficial New Yorker film critic handbook there’s a rule that goes something like this: If Christian faith is central to a film, don’t be afraid to stoop to name-calling and character assassination. Thus it wasn’t surprising to see in what manner David Denby unleashes his ire on The …

Redbox Review: Half-Cocked

I don’t know what film-school genius is teaching his students to use handheld cameras in lieu of stationary shots, but once the dizziness fades I’m going to track him down and beat him to death with his seldom-used tripod. The litany of errors that ultimately makes Hancock a disappointment includes the apparent employment of someone’s …

Redbox Review: Disadvantaged

The mistake people make about modernism is thinking it’s old-fashioned. Thus a movie like Vantage Point comes along, built around the premise that it will be clever to show the same events through several characters’ eyes, and people call it “postmodern” because it’s, well, so very different. We are accustomed to being omniscient observers, or …